Debbie Kirsch came to me with a long-held vision to transform her family history research into a visually engaging custom-designed book. Her book, Here We Are: A Family History, is a private family history.
After thirty years of visiting many musty archives, combing through genealogy sites, organizing all the information, writing captivating stories, creating family trees for each branch of the family, and gathering photos and memorabilia, Debbie wanted a book that would represent her family roots in a cohesive, beautiful volume to be cherished by future generations. Continue reading
As a publisher, you’ll obtain a block of ISBNs specific to your publishing name and assign a unique ISBN to each edition of every book you publish. Each edition of every book? Let’s clarify what that means. Continue reading
One of the things you’ll need to do as a publisher is obtain a block of International Standard Book Numbers (ISBNs) for your books. Some printers, print-on-demand publishers, and eBook vendors will offer to provide you with an ISBN for your book, but it’s better to get your own. Part of the ISBN includes a “publisher number” which is assigned to a specific publisher. Therefore, if you allow another company to provide the ISBN, then that company will be listed as the publisher of your book. ISBNs are easy to obtain online, and using your own numbers means that you’ll retain control over your books. Continue reading
You’ve finished your manuscript (or nearly finished it!) and you’re ready to get some quotes for book design and printing. But first you’ll want to know approximately how many pages your finished book will have. Here’s a simple way to calculate your book’s approximate page count using the word count of your manuscript. Continue reading
Unlike book cover design (which calls attention to itself), page design is silent—forming a bridge between the author’s words and the reader. Many people are surprised to learn that pages are actually designed because, unlike a book cover design, the page design isn’t that noticeable. In fact, it shouldn’t be noticeable! Your reader should be drawn straight into your words without giving your page design any thought. Continue reading
Authors often ask me whether they should get a quantity of books printed or simply sign up with a print-on-demand (POD) company and avoid the cost of printing altogether. Which choice is right for you? Continue reading
Editors create style sheets to keep spelling and punctuation consistent throughout your book. A style sheet usually consists of a chart with a space for each letter of the alphabet, and a space for notes at the bottom. Continue reading
Front covers attract … back covers sell! You already know that, in fact, everyone does judge a book by its cover. You also know that you have only two or three seconds to attract a potential reader with your front cover. But once that reader picks up your book and flips to your back cover, this is your chance to sell your book. That reader is already interested, and just needs convincing. Continue reading
You and your book designer have created an outstanding design for your book pages, and now your book is ready for typesetting. The irony of excellent typesetting is that no one will notice it! Your reader will find it smooth traveling from cover to cover. Continue reading
Written with help from Renee and Jack Brodie, publishers.
Determining your book’s retail price can be nerve-wracking. If it’s too expensive, your book may be priced out of the market. If it’s not expensive enough, you won’t even recover your costs. How do other publishers decide? Consider three things: cost per book to print, pre- and post-printing expenses, and the price of similar books in the marketplace. Continue reading